A habitat of interactive sculptures, a documentary exhibition, an evolutionary path, a stage set, videos and photographs: this is Euforia Carogna, a project specifically conceived for the spaces of Palazzo Collicola and realised also thanks to the contribution of the Festival dei Due Mondi, in which Antonio Rezza and Flavia Mastrella will take part with the performance Porte.

An exhibition with two artists/performers/writers/directors whose language moves between desecration and criticism, word and neurosis, form and experimentation, hybridising sound, noise, object, body in a continuous metamorphosis often taken to the limits of ‘cruelty’. As they themselves wrote for the occasion: “Having thirty-five years of work behind us and knowing that there will probably not be another thirty-five ahead of us would throw anyone into despair. But since it is us, we accept the verdict of time trusting to disprove it, because to experience freedom without the need to idealise it, is an opportunity that does not fear the uncertainty of the future’.

Euforia Carogna is in itself a ‘monstrum’ exhibition, that is to say a prodigy, which announces itself right from the museum’s entrance staircase and swaggering into the austere and noble spaces of Palazzo Collicola and its collection of paintings, mirrors, tapestries, wall paintings and antique furnishings, where history observes contemporaneity through the severe or passionate gazes of cardinals, saints, madonnas, martyrs, hanging on the walls of the Hall of Honour, the Chapel and all the 15 rooms in which the exhibition winds its way, culminating in a large installation, threadlike and transparent, suspended along the Painted Gallery.

The exhibition itself presents itself as one big performance, in which cycles of stage sculptures used in Fotofinish, blow-ups taken from some theatrical performances, books on wheels and handmade, Pictures of Light, Stage Paintings, Juggling Cards, Faces…Goths, musical instruments, fabric sculptures on mirrored sheets animate the space like fragile and impertinent intruders, while in some rooms videos, film fragments, theatrical actions and voices such as The Cry of the Centaur are projected. A sort of vain party of works and images, costumes and small habitats, inviting the spectator to participate, to touch, to play the creative and uninhibited game to which Rezza gives voice and body and Mastrella support and structure. Perfect balance between order and chaos, rigour and improvisation, RezzaMastrella’s habitat and stage machine are capable of invading space and being invaded by the audience, of soliciting and being solicited by our reactions. Inside the museum of Palazzo Collicola, their works thus take on the features of a true form of autonomous life, a pulsating organ, a creative anarchy planned down to the smallest detail.

The exhibition was also made possible thanks to the contribution of the Festival dei Due Mondi and the Sardegna Film Commission.

Opening hours:
Wednesday to Monday 10.30-13.00 / 15.30-19.00